DATEAGLE ART
Form and Formulation
Studio Visit with artist, Esther Gaton
Walking towards the Asquith Gibbes Building as part of Goldsmiths in London’s South, artist Esther Gatón explains that the building was a sports hall built in 1979. Sitting away from the main campus and repurposed as artist studios; it is an ideal setting for someone drawn towards the found object and the reuse of materials. Weaving through the different rooms housed within, we round a window lit corner to Esther’s shared studio. Much like her art, it holds a certain affinity that aligns order within chaos. White washed walls full of photographs; a grid of found and formulated imagery, grouped within categories indicating the development of new ideas and projects – the final intent unknown. Space is a very important consideration in all aspects of Esther’s practice and the studio is at the centre of it all. It creates a state of mind and subconscious thought that result in an intuition led process of creation. Tidying, re-tidying and reorganising almost compulsively; the studio becomes an outlet for all the habits not seen within her process. Not one for a formal routine, she still displays elements of systems and instinct driven avenues. Full of research, found objects and past works; it is as much a space for new creation as it is reflection and re-work. A haven for the culmination of ideas and affections as Esther moves between mediums and themes as a way of staying present and focused.
Walking towards the Asquith Gibbes Building as part of Goldsmiths in London’s South, artist Esther Gatón explains that the building was a sports hall built in 1979. Sitting away from the main campus and repurposed as artist studios; it is an ideal setting for someone drawn towards the found object and the reuse of materials. Weaving through the different rooms housed within, we round a window lit corner to Esther’s shared studio. Much like her art, it holds a certain affinity that aligns order within chaos. White washed walls full of photographs; a grid of found and formulated imagery, grouped within categories indicating the development of new ideas and projects – the final intent unknown. Space is a very important consideration in all aspects of Esther’s practice and the studio is at the centre of it all. It creates a state of mind and subconscious thought that result in an intuition led process of creation. Tidying, re-tidying and reorganising almost compulsively; the studio becomes an outlet for all the habits not seen within her process. Not one for a formal routine, she still displays elements of systems and instinct driven avenues. Full of research, found objects and past works; it is as much a space for new creation as it is reflection and re-work. A haven for the culmination of ideas and affections as Esther moves between mediums and themes as a way of staying present and focused.
Walking towards the Asquith Gibbes Building as part of Goldsmiths in London’s South, artist Esther Gatón explains that the building was a sports hall built in 1979. Sitting away from the main campus and repurposed as artist studios; it is an ideal setting for someone drawn towards the found object and the reuse of materials. Weaving through the different rooms housed within, we round a window lit corner to Esther’s shared studio. Much like her art, it holds a certain affinity that aligns order within chaos. White washed walls full of photographs; a grid of found and formulated imagery, grouped within categories indicating the development of new ideas and projects – the final intent unknown. Space is a very important consideration in all aspects of Esther’s practice and the studio is at the centre of it all. It creates a state of mind and subconscious thought that result in an intuition led process of creation. Tidying, re-tidying and reorganising almost compulsively; the studio becomes an outlet for all the habits not seen within her process. Not one for a formal routine, she still displays elements of systems and instinct driven avenues. Full of research, found objects and past works; it is as much a space for new creation as it is reflection and re-work. A haven for the culmination of ideas and affections as Esther moves between mediums and themes as a way of staying present and focused.
More image content can be found at:
https://dateagle.art/esther-gaton-studio-visit/
All images by Martin Mayorga, DATEAGLE ART
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